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c. 1445 – May 17, 1510. Italian painter.

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ZOFFANY Johann
The Tribuna of the Uffizi (detail)

ID: 07073

ZOFFANY  Johann The Tribuna of the Uffizi (detail)
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ZOFFANY  Johann The Tribuna of the Uffizi (detail)


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ZOFFANY Johann

German/English painter (b. 1733, Frankfurt, d. 1810, Strand-on-the-Green)   Related Paintings of ZOFFANY Johann :. | the bradshaw family, c. | Prince Ernest Gottlob Albert of Mecklenburg-Strelitz | Colonel Mordaunt's Cock Match | Charles Towneley in his Sculpture Gallery | The Tribuna of the Uffizi (detail) |
Related Artists:
Carlo Francesco Nuvolone
Italian Baroque Era Painter, 1609-1662 was an Italian painter of the Baroque period, active mainly in Lombardy. He was born in Milan to an Cremonese father and mannerist painter, Panfilo Nuvolone. After working with his father, he studied under Giovanni Battista Crespi (il Cerano) in the Accademia Ambrosiana in Milan. In that studio he would have encountered Daniele Crespi and Giulio Cesare Procaccini. Of particular interest is his depiction of himself as a painter surrounded by his family of artists
stefan Dimitrescu
(January 18, 1886 - May 22, 1933) was a Romanian Post-impressionist painter and draftsman. Born in Huşi into a modest family, he completed his primary and secondary studies in his hometown. In 1902, deciding to follow his passion for music, he left for Iaşi, where he took cello classes at the Iaşi Conservatory. In summer of 1903, Dimitrescu entered the National School of Fine Arts in the city, studying in the same class as Nicolae Tonitza; the two studied under Gheorghe Popovici and Emanoil Bardasare. After graduation, Dimitrescu painted murals for the Orthodox churches in Agăş and Asău (Bacău County).
ROBERT, Hubert
French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings






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